ESKER HUTCHINS 'The Field Recorders' Collective - Recordings from the collection of Ray Alden'  FRC-107-CD

ESKER HUTCHINS 'The Field Recorders' Collective - Recordings from the collection of Ray Alden' FRC-107-CD

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Field Recorders Collective has become the foremost vehicle for getting music by master old-time musicians into the hands of listeners. As such, they have become in essence a public archive of recordings made during the old-time revival by exceptional collectors and musicians. Times have changed a lot since our friends were recording the traditional bearers back in the 1960s and 1970s, and they have changed since FRC produced its first CD. FRC, therefore, is now making some of their classic early CDs available as digital downloads.

Tommy Jarrell is the Grateful Dead of traditional fiddle recordings. Everybody seemed to record both, and those recordings seem to be everywhere, but the fans still want more. Even though, like his son Benny, we know what he is going to say and what he is going to play, we eat it up. During the last year of TommyÕs life, Paul Brown took him to Massachusetts for the Pinewoods Music Camp. Just like at home, TommyÕs ÒteachingÓ consisted of him playing and sometimes singing, often expertly accompanied by Paul and Mike Seeger. New Yorker Jerry Epstein captured much of the Òclasses.Ó Tommy Jarrell, Vol. 2 (FRC212) is the second collection drawn from those tapes. The album collects 30 tunes, which helps it stand out from the field. With the 27 selections on Vol. 1, they form a comprehensive collection of Tommy repertoire. Vol. 2 include the ÒhitsÓ such as ÒBreaking Up ChristmasÓ and ÒJoke on the PuppyÓ and less heard pieces such as ÒWhen Sorrows Encompass Me AroundÓ and ÒRochester Schottische.Ó

Albert Hash remains a legend in the old-time world as fiddler, tradition bearer, band leader, and luthier. Unlike the other two projects here, the music on Albert Hash, Vol. 2 (FRC707) comes from multiple sources including Wayne Henderson, the Spencers, and the Augusta Heritage Center. Delightfully, several of the 31, yes, 31 tunes include spoken comments by Hash. He plays plenty of the old familars, his original ÒMy Whitetop Mountain Home,Ó and a cover of the pop song, ÒLove Letters in the Sand.Ó With the variety and intros, this is essential for any Hash fan.

Less well known, and thus even more important to have been recorded, are the The Kimball and Wagoner Families (FRC-06). Fiddler Taylor Kimble (1892-1979) raised two children who are recorded here with his first wife and then remarried at 76, to banjo player Stella Wagoner, also heard here. Ray Alden began recording them in 1972. This release is derived from a double cassette Ray released from those tapes. The set contains far more singing than the other two sets but is more important is what it tells us about the roles of family, place, and time in traditional music. For example, we find the Oak Ridge BoysÕ hit ÒThe Baptism of Jesse TaylorÓ and ÒSilver Threads and Golden NeedlesÓ from Wanda Jackson and Linda Ronstadt in among ÒDonÕt Let Your Deal Go DownÓ and ÒGeorgia Buck.Ó Other titles have morphed such as ÒDuncan and BradyÓ becoming ÒBrady Why DidnÕt You RunÓ and taking on some aspects of ÒOtto Wood the Bandit.Ó

If you love the old music and understand about the fidelity of field recordings, youÕll live the Field Recorders Collective catalog.

Esker Hutchins lived in Dobson, North Carolina and was neighbor to Frank and Oscar Jenkins. He was a fiddle mentor to Benton Flippen (FRC 102) of nearby Round Peak. Benton played banjo with EskerÕs band, the Surry County Ramblers. Esker learned some of his tunes from older area fiddlers such as Crawley Hamlin (tracks 3, 4) and Frank Jenkins (track 14), some from newer fiddlers such as Arthur Smith (track 9) broadcast on the radio. Esker and his band regularly appeared at the Union Grove FiddlerÕs Convention (tracks 1, 38 and 39) and he often played with Oscar Jenkins (tracks 2, 37). This CD offers a rare visit to EskerÕs home, while at the same time giving an idea of the powerful music he made at conventions. ÐÊRay Alden

Track Listing:

  • Mississippi Sawyer (2:43)
  • Cotten-Eyed Joe (2:05)
  • Puncheon Floor (1:48)
  • Sheep Come Walking Through the Pasture (1:56)
  • Wagoner (2:02)
  • Fisher’s Hornpipe (2:09)
  • Cricket on the Hearth (2:03)
  • Peacock Rag (2:03)
  • Walking In My Sleep (1:29)
  • Coalberry Breakdown (1:45)
  • Little Brown Jug (1:18)
  • Unnamed Fiddle Tune #1 (2:00)
  • Black Mountain Rag (1:47)
  • Sunny Home In Dixie (3:18)
  • Billy in the Lowground (3:00)
  • Leather Britches (1:40)
  • Bonaparte’s Retreat (2:00)
  • Unnamed Fiddle Tune #2 (1:26)
  • Ain’t Got No Sugar Baby Now (1:22)
  • Reuben (1:30)
  • Cabin in the Pines (1:05) John Henry (1:40)
  • Darling Nellie Gray (1:21)
  • Unnamed Banjo Tune #1 Æ (sim. to Shout Lulu) (1:33)
  • Sugar Hill-Esker Hutchins (1:01)
  • Unnamed Banjo Tune #2 (1:28)
  • Kitty Wells (1:58)
  • Pretty Little Girl (similar to Shortening Bread) (1:08)
  • Ducks on the Millpond (1:36)
  • Breaking Up Christmas (1:27)
  • Mississippi Sawyer (1:32)